Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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50 Great Teachers
12:03 pm
Fri December 5, 2014

What The Movies Taught Us About Teaching

Denzel Washington in The Great Debaters.
The Kobal Collection

Originally published on Fri December 5, 2014 6:50 pm

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Remembrances
8:14 am
Thu November 20, 2014

Renowned Theater And Film Director Mike Nichols Dies

Originally published on Thu November 20, 2014 11:43 am

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Movies
3:06 pm
Mon August 25, 2014

Director Richard Attenborough Brought Intimacy To Big Ideas

Richard Attenborough's career in movies spanned decades.
Lois Bernstein AP

Originally published on Mon August 25, 2014 6:53 pm

When Steven Spielberg was looking for someone who could make dinosaurs seem plausible in Jurassic Park, he asked fellow filmmaker Richard Attenborough to do something he hadn't done in almost 14 years: act. Plenty of performers could look at green screens and convey a sense of wonder. What Attenborough could do while playing the owner of Jurassic Park, figured Spielberg, was flesh out the bigger picture — the why. And when he did, it sounded almost as if he was stating the filmmaking credo he'd lived by all his life.

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Remembrances
1:59 am
Mon December 16, 2013

Peter O'Toole, Exuberant From 'Lawrence' To His Last Role

Peter O'Toole, the charismatic actor who achieved instant stardom as Lawrence of Arabia and was nominated eight times for an Academy Award, died Saturday. He was 81.
AP

Originally published on Mon December 16, 2013 9:35 am

Blond, blue-eyed and wearing blazing white robes in Lawrence Of Arabia, Peter O'Toole was handsome enough — many said beautiful enough — to carry off the scene in which director David Lean simultaneously made stars of both his title character and his leading man.

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Arts & Life
4:53 pm
Wed July 17, 2013

For Actress Ruby Keeler, Another Opening, Another Show

Broadway performer Ruby Keeler was a source of optimism for many during the Depression era, and nostalgia hit audiences hard when she returned to the stage decades later.
General Photographic Agency Getty Images

Originally published on Wed July 17, 2013 6:11 pm

Ruby Keeler was an unknown actress when she starred in the 1933 production of Busby Berkeley's 42nd Street.

But the movie was so popular she was able to land two more splashy musicals that same year — and seven more by the end of the decade. There was nothing extraordinary about her talents as a vocalist or as an actress, but audiences of the Depression era really bought into Keeler's "innocent" onstage persona. In fact, they craved it.

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